I still wonder if some Americans will understand the critical sarcastic point made about the murderous U.S.A. foreign policies. I think some will never understand the blissful ignorance in which they live in.

This movie ridicules the overused Hollywood cinematic clichés, and they are all over the place and therefore  enhances my love for the movie. In a way it shows how used we've become to the classic deadbeat cinematic structure of crappy big budget Hollywood movies. Hollywood is dead.

What is amazing is the awesome puppetry work used in a comedic fashion with special effects I have not seen been done before with puppets. What adds to the mastery of the puppet art in this movie is how they make fun of the puppetry art by using puppetry itself. It's brilliant and hilarious.

Get the soundtrack. Just get the soundtrack.

It is clear that whoever made this commercial is pushing to make us believe that men are fucking pussies. I contend that this commercial is deceptive and does not represent reality in an attempt to subvert our culture for a sinister purpose.

If this commercial was based on reality, the commercial would have gone like this:

The girl comes up to the guy who has a fresh chocolate-cone ice cream. She takes the ice cream from the guy then finds herself rummaging for her teeth on the ground so much the guy smacked her so hard.

This scenario is much more realistic and in my opinion much more fucking funny that watching a fucking pussy being abused by a woman.

If we had truly interactive TV, this is how the commercial would have played out:

The woman walks up to the guy, takes his brand new chocolate-cone ice cream cone. The audience sees my fist flying straight into the woman's mouth, followed by my hand giving the ice cream cone back to the guy. Then you would see the guy trying to pull his leg out of his ass so he can go find his teeth and ice cream that are rammed up his rectum, because I smashed in his head in for letting himself be abused by a woman. Since TV would be interactive, the next time the commercial is aired, the woman goes in the store, buys 2 chocolate-cone ice creams to give to the guy and his best friend that are waiting out side and shuts the fuck up, because the woman enjoys the multiple orgasms these two guys provide her every night.

 I believe it is every man's duty to kick you fellow man's ass when he does not use his gift of being physically stronger to assert respect for himself and his fellow man. Have you kicked your fellow man into shape today? Do it.

■ In both movies we have something threatening the whole planet.

■ In both movies we have one brilliant guy figuring out the whole master plan of the threat.

■ In both movies we have one brilliant guy trying to convince the president that he has the answer against this global threat.

■ In both movies we have a deep relationship between a father and son, one or both are scientific geeks.

■ In both movies we have cars flying all over the place between buildings, caused by some massive wave of something.

■ In both movies we have a shot of the White House in foreground of whatever global threat the movie deals with.

■ In both movies we have family members desperately trying to reach each other.

■ In both movies we have people atop skyscrapers waving at ships over them.

■ In both movies we have some kind of scientific outpost getting strange readings, which is headed by some actor made famous by a previous movie in a non-human character.

■ In both movies we have massive evacuations.

■ In both movies we have fire in the sky.

■ In both movies we have cities being destroyed.

■ In both movies we have people hiding to protect themselves from the global threat.

■ In both movies we have nations uniting because of the global threat.

■ In both movies we have catastrophes being reported all over the planet before we get into the thick of the movie.

■ In both movies the global threat comes from the sky.

■ In both movies we have an exploration of a catastrophic situation that we have all thought about that comes sooner than expected.

■ In both movies the president must leave the White House and relocate.

If you have any more, please send them in with the "discuss in forum" link.

Let's make this clear up front: if you have a pink car, a bright orange car or a car with blue stripes running from front to back of it, it means that your car represents your personality and therefore makes you oh so gay. Do not fight it, do not try to deny it, you are just gay. Another adequate title for this movie could have been "2 furiously 2 gay: gaymobile tailpipes unite".

Come-on, really! Why the fuck would you paint your car pink unless you were totally irreversibly gay? You don't see this in the movie because they didn't want to come across as "too gay", but in the original script they had dildo-shifters in their cars and they cut one scene where someone wants to talk the cop but he is too busy in his car ramming his dildo-shifter up and down in his ass like a madman screaming "yeah baby, give it to me, YEAH, YEAH! YEAH!... oh sorry... I was just having a little sex with my car. I LOVE my car you know. That's why I cried when they blew my first gaymobile in the first movie". In this scene the car was running also so the dildo-shifter was vibrating, providing more sensation. The dildo was black also and fucking huge, so at least we know this cop makes silent farts and can sneak up on bad guys more easilly.

This movie is so gay, that all the girls in it are either drag queens or transsexuals. There is not one original woman in this movie. Do not be fooled! When someone falls in love with a woman, it's actually a guy and they just want you to think it's a nice and sweet hetero love scene. You have to realize that both characters blow cock like professionals. Actually they had a lot of practice on those dildo-shifters. Look at the poster; the black guys looks like they have been sucking off dildo-shifters like motherfuckers. Maybe each other's dicks.. who knows.

This is a scene where the characters are demonstrating that they are not man enough to drive their gaymobiles because they are are afraid of speed, so they just hang around in front of their cars in the middle of the street, just waiting to get rammed up the ass by some cop cars.

Look at these guys. The text in the image has been added by the producers as to explain the characters a bit just goes to prove what I am saying about this movie beeing so gay. The first guy on the left is a homo, it is written so. The second guy from the left has long hair, has boob implants and is wearing a sexy top to show off his boobs. That is way beyond gay. The other guys have small penises, so we know for sure that these are not the guys responsible for giving the black guys those stretchable cock-smoking lips.

What kind of men wear clothes that match the color of their cars? That's right! Only gay men do that.

Look at them standing in the street. They sure look tough. "Hey look, we have gaymobiles and we can press on the gas pedal, so we are acting tough. Wee roolz!"

This is a production scene when they were looking for cast members with gaymobiles to play in the movie.

Everybody laughed when they mentioned what the movie is about. The producers had to constantly tell the people that it wasn't a gay movie. The people were not buying it.

When they told people they were from San-Francisco there was no way to convince everybody that the movie was not gay.

It's also hard to be taken seriously when you have blue stripes on your car.

The big guy in the picture seemed to dig it though. And they gave him a backstage job of cock-massaging all the actors so have them shoot-off a load before they shot the movie scenes.

But the people really didn't believe what kind of movie they were making

This is a shot in the movie when they just fucking freak out and gun it and just race in the streets for no fucking reason at all. They fucking lose it and just run off like sissy girls at the first sight of cops.

This is one of the scenes that the people like to watch because the cars appear to go really fast when in reality it would be impossible to shoot them at high speed. This is just a Hollywood trick to get people excited about gaymobiles that can't even go fast in the first place.

Maybe nice hard nightsticks are too much for them. Maybe they prefer nice rubbery soft dildo-shifters.

This scene depicts drag queens in action. Get it? Drag queens? That's fucking hilarious and if this movie is not fucking gay, it's just fucking gay.

The truck is not in this race. It's very sad to see what they done to the Dodge Ram pickup truck. It is so ugly and gay.

This scene depicts how fuel efficient cars have been transformed into gas guzzling monsters that can't run 2 miles without refueling.

This car was hit by a fagobomb destined to seek and destroy fagmobiles. This kind of weapon is used by heterosexual street racing gangs with cars equipped with gaydars, to eliminate all the gay cars that are ruining the scenery by driving around with their ugly colors.

This accident could have been prevented if this gaymobile was equiped with a gaydar detector.

This goes to show that if you are gay in a gay car, you are are a fucking target.

In this scene the guy is removing the fagobomb from this yellow shit while thinking: "I have to take it off gently... it's so fucking cookey and kinky that just HAVE to ram this up my ass and see how it feels. I can't wait to try this at home. Maybe I can replace my dildo-shifter with this kinky robotic hamster." In a later scene one of the she-males has to pull it out of his ass for him, but can't so she/he/whatever races him to the gay hospital in her/his/whatever's gaymobile in a death defying stunt-driving course through watermelons and guys holding glass panes across the street. Finally all this racing was all for nothing as the fagobomb explodes and kills the fag and all other fags in the hospital. This guy wanted to die if he was wearing a red shirt.

The fagobomb was supposed to hit the driver, but he had 2 other fag friends making out in the back of the car, so that's why it hit the back door.

Even the actors cannot even remember one line of retard text. Look at this. "NAWS"... fucking retard. That's what you get when you hire mad asian neo-nazi gay skin-heads.

All in all, here is our verdict: it's gay. The only good thing about this movie is when they crush a real Mustang with a van. This is one less crappy Mustang on the planet and it is very satisfying to see it mutilated so badly.

If you don't enjoy gay cars, don't go see this movie.

If you enjoy gay cars, don't go see this movie because we would not want to encourage such behavior in people who are already fucked up in the head and up the ass.

By the way, we didn't see the movie, but doesn't make it any less gay.

Comments on MontrealRacing.com

Zion is considered to be the heavenly Jerusalem, the paradise city in Judaism and Christianity. Since the beginning of the century the Zionists have claimed their return to the "promised land", that they are to reclaim the land that was once theirs, once the land of the Israelites that was later taken from them and inhabited by Arabs for centuries, which is now known as Palestine.

In the last century the Zionists have managed to invade Palestine from the inside, spreading and overtaking from inside Palestine to create the Israel state in 1948, the name propably inspired by the Israelites, and further expand Israel's borders to eventually take possession of Jerusalem, or Zion, the paradise city, the promised land.

The Zionists probably have named their movement based on the name of Zion, the paradise city and making the Zionists' mission to reclaim Zion. Hence, if you are a Zionist, you want to reclaim Zion.

In The Matrix movie the humans have been robbed of their life, their consciousness, their planet, their land. In the movie they are the people of Zion, in a sense they are the Zionists, they have become the people who are fighting from within the invaded territory, from within the core of the Earth, to reclaim what was once theirs, to take back the Earth. Like the real world Zionists they are re-invading their former territory from the inside.

In The Matrix the humans become Zionists that learn how to manipulate and twist The Matrix to their advantage, to serve their fight for their former territory. If we take the Matrix and compare it to the Matrix that the Zionists have created for our society, the reality does not compare well with The Matrix movie. In the movie it is the machines who create the Matrix, as in our case in the real world it is the Zionists who have created the matrix in which we live in, so the Zionists do not compare well in this manner to the humans in The Matrix who are the actual victims of the Matrix, although they can manipulate it to serve their purpose to a certain extent, just like the real world Zionists.

From what little I have understood about The Matrix Reloaded, I think it deals more about Zion that in the first movie.

What I have brought forth may be a subtle idea by the movie creators or simply a coincidence, but an interesting comparison nonetheless. It is interesting when you examine the Matrix humans and the mix of similarities and contraries compared to the real world Zionists.

I have my ticket to go see The Matrix Reloaded the day before it comes out. I truly have a good friend, and hope I will enjoy this second Matrix movie. The first one rocked my shit.

Considering that these studios have lots of cash and there there is a good number of people looking for jobs, it is unacceptable that they come out with DVD movies that do not have any special features. It is even more unacceptable to come out with a new movie and not have any DVD special features at all. It's understandable if you take an old movie and just convert it to DVD, but even then, there has to be some interesting shit lying around the studios that you can slap on that DVD to make it more interesting than if it was just the plain movie.

I saw something on The Screen Savers about The Guy that makes DVD menus and stuff. Come on! There has to be more people that just this guy creating these DVD menus! Maybe there are too many DVD movies coming out, that he's botching up the job and not putting any extra features on the DVD? They really have to start putting more time in the development of DVD special features.

I watched The Cable Guy and it didn't have any special features on the DVD, and that's relatively O.K. since it's an older movie. However, when I watched Maid in Manhattan there were absolutely no special features and this movie has no excuse, being a movie that came out in 2002. (I know what you are thinking you dipshits. If you think that I rented Maid in Manhattan of my own sole free will, go fuck yourselves. I would have rented Reign of Fire instead, or some other groovier movie that was either intellectually stimulating or had limbs flying all over the place.)

I watch the show tonight and there is this guy that his record is to kiss as many cobras on the head as he can while they are on the loose. That's not a fucking record, that's a stupid stunt. The king cobra he kissed can kill an elephant with it's poison (How the fuck is a king cobra going to eat an elephant anyways?). Guess what the record is: his record is to kiss 11 cobras on the head one after the other. That's not a fucking record, that's bullshit.

I remember when I was younger, Guinness World Records used to be the guy who jumped over the most cars with his bike, the guy who crosses the longest distance on a tightrope, the guy who jumps the farthest, the guy who swam the farthest... shit like that. Now the records are stupid crap like people popping their eyes out of their sockets, eating the most watches, growing finger nails for 10 years, eating the most worms, shooting popcorn the farthest from out of your tear ducts, cricket launching distances, throwing things with the stretched skin of your earlobes, lifting car batteries with your nipples, stretching your skin and a plethora of other freaks of nature who don't know what to do with their time.

What the fuck has world records become? They have become shit because every damned world record imaginable has been done, so now they are taking in the freak shows just to get ratings on the TV to have some publicity. What they are showing now on TV is crap and has nothing to do with world records. It's a freak show contest, the one who freaks out the audience the most.

The quality of the records has been lost. Fucking freaks.

The Enterprise crew is getting too old. I guess the fountain of youth in Insurrection wasn't working too good.

I have a problem with the Romulan council. They seemed somewhat out of character from what I have come to understand of Romulans. The Romulans I know are usually suspicious and devious, and they did not notice someone leaving a personal belonging on the table and not suspecting some kind of treason. And they were very slow to react to get out. Because they were slow, they deserved to die. But that seemed out of character, especially with the being bright red and quite big.

I think Picard found a new toy. I think I'd like to have the Argo also. :)

The writers are used to cramming an episode into 45 minutes, they are not used to expanding a story to include more material in a 2 hour movie, especially with an original plot of a Picard Clone which was very nice and could have been expanded very nicely. They could have done more with this Picard clone thing. They had the time. Anything else around was this clone story was not as important. They could have built it to be another Kirk/Kahn match. A little bit was missing.

When Data and Picard escape the scimitar they use a Scorpion Class ship. There is something odd in this. It's a non-human ship with non-humans and somehow the ship class is "Scorpion", which is an Earth animal. Did I miss something? Or are our aliens not proud enough of their homeland that they now use animal names from other cultures? Or are those ships actually human made?

When the Enterprise rams into the Scimitar, the whole front of the ship becomes crumpled. When this happens, the diagnostics panel should have adapted to the crumpled ship. Instead, the diagnostics panel still drew the ship as fully intact. In that century you would think that they would have more adaptive software.

When the aliens beam on board the Enterprise, there is an intruder alert alarm. When Picard beams over to the Scimitar, there isn't any intruder alarm, and that ship seemed more advanced than the Enterprise.

When the Viceroy beams aboard Enterprise and Riker confronts him, that bit kinda sucked. It really looked like a lame sideline to the story. A more original fight would have helped a lot.

Data dies. Wow. What a blow. I'm still assimilating this. If you like Star Trek, Data has to be the top all time favourite character. The Data character was exhausted with the series and good finale in First Contact and not much more character development possible with any subsequent movies, so it was a good move to kill off this character. Plus, things got a bit too easy with Data around, because he just rocks.

Now, how the movie would have been better. The bad guys should really have had a chance to at least blow up one ship, and one planet. Give me action. Give me some effects, a chance to get my Roddenberry vision shaken up a bit. This would have added to the credibility of the bad guy. We all know what Picard and his crew can do with their ship. They should have shown us what the bad guy can do and would have added to some tension and suspense. It wouldn't have been so corny like that.

And that ship was fucking awesome. :)